About Me
Drawing, painting, and sculpture — three distinct practices that converge in a singular artistic voice. Each medium offers its own language, but they speak to the same quiet philosophy: art as a reflection of nature, silence, and balance.
Sculpture often comes after painting in my process — a more distilled and essential gesture. It is where ideas find physical form, reduced to their essence through shape, weight, and equilibrium.
Among my sculptural forms, the totem emerges as a central symbol — a silent, sacred object that reminds us: nature is the origin of all creation. It asks for reverence, to be left undisturbed among birdsong, wind, and rain.
It is within that silence that my work invites you to listen. Not only to see, but to understand, in your own time, in your own way.
Nature is the origin of everything I create.
The Work
Textures, Tension, and the quiet Language of Nature
My paintings often incorporate textured layers, with sculptural elements in wood or clay adding a tactile presence to the surface.
Earthy tones — ochres, deep blues, muted neutrals — form the foundation of a visual language that speaks softly, yet deliberately.
Recurring themes include birds and wild animals from various landscapes — mountains, prairies, steppes, and polar regions — symbols of nature’s quiet resilience. These beings of air, land, and sea inhabit my compositions not as decoration, but as silent ambassadors, asking for our awareness and respect.
Through the balance of symmetry and contradiction, I explore how tension and softness can coexist — how form, colour, and texture create harmony in a world of subtle imbalance.